As a studio portrait photographer, I have discovered one hard truth: lighting is everything. Equipment is important, posing is beneficial but if the lighting is off, it doesn't matter. I work out of a 600-square-foot studio space equipped with high ceilings, an interchangeable set of backdrops, and Godox strobes. Typically, I’m using one light, sculpting atmospheric, three-dimensional portraiture for families and models. And each time, lighting is key to establishing the mood.
The Difference That Studio Lighting Makes
Lighting does more than just shine upon the subject—it defines it. Lighting instructs the viewer where to look, how to feel, and what the photo is about. A gentle, feathered key light grid generates a subdued, atmospheric mood. Remove the grid, open up the shadows, and all of sudden your portrait is more open and welcoming. Each tiny alteration alters the emotional feel.
My Studio Setup & Lighting Gear
- Space: 600 sq ft with high ceilings
- Backdrops: White, black, and one rotating color backdrop
- Lighting: Godox DP400III strobes (2 lights, usually 1-light setups)
- Modifiers: Octabox with grid, standard reflector with grid, V-flats
- Style: Mostly moody, sculptural portraits with occasional traditional setups for client requests
I usually rely on one light with a grid for directional control, and use V-flats or walls to manage bounce and spill. For traditional or more polished sessions, I’ll bring in a second light—usually as a hair light for subject-background separation.
Real Story: One Light vs. Two Lights
During a recent model session, we started with a one-light setup using a white backdrop and a gridded octabox. It looked moody but something felt off—the subject wasn’t popping off the background.
So we made two changes:
- Moved the model further from the backdrop
- Added a second light with a standard reflector and grid as a hair light
The difference was night and day. That subtle rim of light on her hair added instant depth and separation.
Backdrop Color Impacts Lighting
Backdrop color isn’t just aesthetic—it affects your lighting:
- White backdrops reflect lots of light. Great for high-key looks, but can reduce contrast.
- Black backdrops absorb light. Perfect for dramatic, low-key portraits.
- Color backdrops bounce their hue back into the scene—watch how it affects shadows and skin tones.
I rotate colored backdrops regularly to match seasonal tones, wardrobe, or client preferences, but always consider how it might influence the light in the frame.
Traditional vs. Moody Lighting Styles
Clients often request clean, high-key light for headshots or formal portraits. In these cases, I’ll run a two-light setup with a key and a hair or fill light.
But my personal style leans toward moody and dimensional. One light, a grid, and thoughtful placement let me carve out shadows and create focus. It’s simple and powerful.
Lighting Is a Language
I experiment with lighting setups all the time—not to chase trends, but to stay sharp and adaptable. Every subject is different. Some benefit from more fill, others from more shadow. It’s not about sticking to formulas—it’s about reading the subject and responding with light.
Lighting is how I speak as a photographer. It’s how I create tension, softness, drama, or intimacy. It’s the voice behind every image.
Final Thoughts
Studio lighting gives you complete creative control. You decide how your subject looks and feels—what the image says before a word is read. Whether you're feathering a single light for soft contrast or popping a second light to highlight hair and shoulders, remember: lighting isn’t an accessory, it’s the foundation.
Start with one light. Master it. Then break it all apart and build it again. That’s how great portraits are made.
Want more behind-the-scenes tips and lighting guides? Follow me on Instagram at @bare_humanity for studio setups and client stories.
